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Perspectives on Theater After Modernism: Drama and Performance Studies

Jese Leos
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Published in The Death Of Character: Perspectives On Theater After Modernism (Drama And Performance Studies)
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Modernism, a period of radical change and experimentation in the arts, had a profound impact on theater. Modernist playwrights such as Samuel Beckett, Eugène Ionesco, and Bertolt Brecht challenged traditional notions of form, character, and plot, and their work opened up new possibilities for theatrical expression.

The Death of Character: Perspectives on Theater after Modernism (Drama and Performance Studies)
The Death of Character: Perspectives on Theater after Modernism (Drama and Performance Studies)
by Elinor Fuchs

5 out of 5

Language : English
File size : 1149 KB
Text-to-Speech : Enabled
Screen Reader : Supported
Enhanced typesetting : Enabled
Word Wise : Enabled
Print length : 240 pages

In the decades after World War II, a new generation of scholars and practitioners began to question the assumptions of modernism and to explore new ways of thinking about theater and performance. This led to the emergence of drama and performance studies as distinct fields of inquiry.

Drama studies is the academic study of theater, focusing on the analysis of plays and other theatrical texts. Performance studies, on the other hand, is a broader field that encompasses all aspects of performance, including theater, dance, music, and ritual. Both fields have made significant contributions to our understanding of theater and performance, and they have helped to shape the development of new theatrical practices.

Drama Studies

Drama studies is a diverse field that encompasses a wide range of approaches to the study of theater. Some scholars focus on the analysis of plays as literary texts, while others focus on the performance of plays. Still others explore the social and cultural contexts of theater.

One of the most important contributions of drama studies is its focus on the playwright's perspective. By studying plays in depth, scholars can gain insights into the playwright's intentions and the ways in which plays reflect the social and cultural context in which they were written.

Another important contribution of drama studies is its focus on the performance of plays. By studying how plays are performed, scholars can gain insights into the ways in which they can be interpreted and experienced by audiences.

Performance Studies

Performance studies is a broader field that encompasses all aspects of performance, including theater, dance, music, and ritual. Performance studies scholars explore the ways in which performance creates meaning and shapes social and cultural identities.

One of the most important contributions of performance studies is its focus on the body. Performance studies scholars argue that the body is not simply a neutral instrument for expressing ideas, but rather a site of meaning and agency. This focus on the body has led to new ways of thinking about theater and performance, and it has contributed to the development of new theatrical practices.

Another important contribution of performance studies is its focus on the audience. Performance studies scholars argue that the audience is not simply a passive recipient of meaning, but rather an active participant in the creation of meaning. This focus on the audience has led to new ways of thinking about the role of theater in society, and it has contributed to the development of new theatrical practices.

Perspectives on Theater After Modernism

Drama and performance studies have had a profound impact on our understanding of theater and performance. These fields have challenged and expanded our assumptions about what theater is and can be, and they have helped to shape the development of new theatrical practices.

Some of the most important perspectives on theater after modernism include:

  • The theater is a site of meaning-making. Theater is not simply a form of entertainment, but rather a way of creating meaning and understanding the world around us.
  • The body is a site of meaning and agency. The body is not simply a neutral instrument for expressing ideas, but rather a site of meaning and agency.
  • The audience is an active participant in the creation of meaning. The audience is not simply a passive recipient of meaning, but rather an active participant in the creation of meaning.
  • Theater is a social and cultural practice. Theater is not simply an isolated activity, but rather a social and cultural practice that is shaped by the social and cultural context in which it is produced and consumed.

These perspectives have had a profound impact on the development of new theatrical practices. In recent years, we have seen a growing number of plays and performances that explore the body, the audience, and the social and cultural context of theater in new and innovative ways.

As we move into the future, it is likely that drama and performance studies will continue to play a vital role in shaping the development of theater. These fields provide us with the tools we need to understand and appreciate theater in all its forms, and they help us to create new and innovative theatrical practices that reflect the changing world around us.

The Death of Character: Perspectives on Theater after Modernism (Drama and Performance Studies)
The Death of Character: Perspectives on Theater after Modernism (Drama and Performance Studies)
by Elinor Fuchs

5 out of 5

Language : English
File size : 1149 KB
Text-to-Speech : Enabled
Screen Reader : Supported
Enhanced typesetting : Enabled
Word Wise : Enabled
Print length : 240 pages
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The book was found!
The Death of Character: Perspectives on Theater after Modernism (Drama and Performance Studies)
The Death of Character: Perspectives on Theater after Modernism (Drama and Performance Studies)
by Elinor Fuchs

5 out of 5

Language : English
File size : 1149 KB
Text-to-Speech : Enabled
Screen Reader : Supported
Enhanced typesetting : Enabled
Word Wise : Enabled
Print length : 240 pages
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